![]() But how approachable is it for a hobbyist, advanced amateur, or anyone who isn’t a professional motion graphic artist? I fall somewhere in the middle of that range, so I thought I'd attempt to answer that question. Here’s a brief breakdown of what’s new in Form 3.So, as you can see, Trapcode Suite 15 is the latest hotness from Red Giant. The great thing is that your Forms will interact with AE’s lighting and cameras to make them a seamless part of your compositions. You can create your forms, again much like in Particular, via the tools at the bottom of the Form Designer, and as soon as you click “Apply” it’s immediately available to you in After Effects. Multiple particle systems in the same 3D Space.Updated Designer for building effects visually.You have access to over 70 presets in the Form Designer: That’s essentially the difference between the two effects, but how you create your “forms” in Form is very similar to creating your particle systems in Particular. You choose what “form” you would like the tens, hundreds or even thousands of particles to make. The difference in Form is that it, much like Particular, works with particles, but these particles are always here. Particular also has an emitter, so you can decide where these particles will being their “life’s journey”. Particular’s particles are born, do something in their “lives” (change color, grow bigger, etc), and then they, for lack of a better term, die. ![]() It’s very interesting that Red Giant decided to focus on Particular and Form for this update, as they are very similar effects to each other, but different in one key way. Once applied, you’ll notice that the standard default particle system looks just the way it has since version 1.0 of the effect. Well, Particular’s toolset has been expanded to be more in line with MB Looks, as well as other effects in the Red Giant family (like Universe). If you’re familiar with Magic Bullet Looks, you’ll know that it was designed with a very cool interface that let’s you expose and hide all the panels you need to work with, so you can keep your work as the center of attention. Particular has taken some interesting steps over the last few years, and it’s been an interesting journey for it, as well as the other effects that Red Giant make. What’s important for me to point out with the Trapcode suite, is that when a new release comes along, not necessarily all the effects are updated, so in this version the effects that are the same as the previous release include: The three effects that received updates directly within Trapcode Suite 14 are: Paricular, Form and Tao. For anyone specializing in video effects this article is a good read on what benefits the Trapcode Suite 14 update has. Red Giant released Trapcode Suite 14, the latest After Effects plug-in. The cost or difficulty of producing an effect live may cause the effect to be produced in post-production and that’s where a solid software for video effects is imperative. There are so many visual effects in shows and movies today that may go unnoticed because of their realism. Video effects are incredibly important with any project today. REVIEW – Trapcode Suite 14 from Red Giant SoftwareĪugAfter Effects, Form, Particular, Red Giant, software, Tao, Trapcode, Trapcode Form
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